Exotic
Wine from the Foothills of the Alps
By Jim Clarke
Equidistant between the Cote d’Or and the Swiss
border lies a little-known wine region producing a variety of wines,
including one of the most ageworthy wines of France. And one of the
most historical - the Roman Consul Pliny the Younger was already praising
the wines of Jura in the First Century AD; archaeologists have found
evidence of grapevines being grown there even earlier. The region was
at its peak at the end of the 19th century, with 20,000 hectares under
vine; after suffering through phylloxera and two World Wars, the total
plantings today are about a tenth of that, but wines of great distinction
are still being made.
The Grapes
Two of the grapes grown in the Jura are Burgundian
- Chardonnay and Pinot Noir – but there are a number of unusual
varietals that are rarely found elsewhere. Among reds, Poulsard (or
Ploussard) remains popular with growers, despite being uncooperative
in the vineyard; it buds early, making it susceptible to frost, has
low yields, and is prone to coulure (a failure to properly form berries,
usually related to temperamental spring weather). Growers persist with
it, motivated by an appreciation for the perfumed qualities it brings
to a wine. It is often blended with another local, Trousseau, which
provides the backbone, tannins, and color that Poulsard lacks. Alone,
Poulsard wines are as light as rosés in color, even when subjected
to prolonged skin contact; they are characterized by red berry and mineral
flavors, and are often served lightly chilled.
Along with Chardonnay, the other white grape of the
region is called Savagnin, and while it suffers from many of the same
difficulties as Poulsard, it is also the only varietal used in the region’s
pride and joy, Vin Jaune (“yellow wine”). After a normal
fermentation, the Savagnin wine is then aged in barrels for a minimum
of six years and three months; during this time it develops a yeast-like
covering similar to the flor which protects aging Sherry (unlike most
Sherry, however, the wine is not fortified). The yeast limits oxidation
and obviates the need to top off the barrel while reinforcing the nutty
aromas characteristic to Savagnin and adding further complexities to
the wine’s flavor. Vin Jaune also has its own, 62 cl. bottle called
the clavelin; the slightly smaller than normal size is to account for
the wine that evaporates during aging. In the past Chardonnay and Savagnin
grapes have also been used to make table wines, but often in an oxidative
style meant to echo Vin Jaune; many drinkers find the style flat and
unappealing. Nowadays winemakers are treating the wines more carefully
and creating refreshing, lighter wines from both grapes.
There are two other winemaking techniques that make
this area special. The Vin de Paille (“straw wine”) takes
advantage of mountain breezes to dry out the grapes, which traditionally
were laid out on straw mats for at least three months to raisinate before
being pressed and made into a dessert wine. The oddly-named MacVin is
a wine fortified with local marc (brandy made from grapeskins, etc.,
left over from the winemaking process) and made in red, white, and rosé
styles.
The Appellations
There are three major AOC’s, all of which are
enclosed by the larger Cotes du Jura AOC. Arbois is the largest at about
800 hectares, including Arbois Pupillin as a sub-appellation; L’Etoile,
named after the star-shaped fossils that are common to the limestone
and clay soils, encompasses about 80 ha. Both of these permit wine production
in all the styles described above. Chateau Chalon, on the other hand,
is exclusively devoted to the production of Vin Jaune. Throughout the
Cotes du Jura producers are also permitted to make a methode traditionelle
sparkling wine under the Cremant du Jura appellation; many producers
have developed quality sparklers in both blanc de blanc and rosé
styles.
Frédéric Lornet
In 1974 Frédéric Lornet bottled their
own wine for the first time in 20 years, instead of selling it to a
negociant, and began a process that has put their wines at the forefront
of the Jura’s producers. Both their vineyards and their range
of wines have expanded since then, the former to include about 35 acres
and the latter to include the entire range of wines possible under appellation
law except MacVin. Under the Arbois appellation they have released two
white table wines, a Chardonnay and a Naturé (a local name for
Savagnin), both refreshing in the modern, non-oxidative style. The Cuvée
Messagelins is a notable old-vine Chardonnay from grapes grown on a
small, 2-acre parcel of land, yielding less than 400 cases of wine.
There are three table reds as well, a Pinot Noir, a
Ploussard, and a Trousseau. The Ploussard is a great summer red. Lornet
also produces Vin Jaune and Vin de Paille in limited quantities; the
wines are exemplary renditions of their respective styles. Finally Lornet
makes two sparkling Cremant du Jura, a Blanc de Blanc and a Ploussard
rosé, named “L’Abbaye” for the abandoned Cistercian
abbey where they are made. Both represent great values, with complexity
and a fine mousse. The sparkling wines, along with the Vin Jaune and
a Vin de Paille, are the easiest to find here in the U.S.; all are definitely
worth looking for.
Jean Rijckaert
Dutchman Jean Rijckaert entered the wine industry in
1990 as Jean-Marie Guffens partner at Domaine Verget in the Macon region
of Burgundy. The relationship only lasted until 1996, but Rijckaert’s
relationship with wine has proven sturdier. While he still produces
wines in the Maconnais, he has also brought his Burgundian approach
to the Jura, where he has his summer home. At the moment he makes three
Chardonnays and a Savagnin in the region. In both his Macon and his
Jura wines he favors a clean style with a refreshing level of acidity.
He felt his former partner overused new oak; he employs it cautiously,
so fruit and mineral notes take pride of place in his wines.
Winegrowers take pride of place in his wines as well.
A wine bottled with a green neck label comes from his own vineyards,
but wines made from fruit bought from other growers are differentiated
by a brown label. If the grower allows, Rijckaert also identifies the
grower on the label, giving credit where credit is due.
Chateau Béthanie
Many winegrowers in the Jura were hard up at the beginning
of the 20th Century. As elsewhere, the louse phylloxera had devastated
their vineyards, and steep taxes were making it hard to stay in business.
In Arbois a group of them came together to form one of France’s
first vineyard cooperatives, the Fruitiére Vinicole d’Arbois.
They moved into the Chateau Béthanie in 1969, making it their
winemaking facility and brand name.
Because of the collaborative nature of bringing together
grapes from a number of different farmers to create wine, cooperatives
often fail to arrive at and enforce standards adequate for creating
quality wines – mediocrity by committee, as it were. Chateau Béthanie
is an exception, and has restricted the kinds of grapes its growers
can contribute and enforced low yields since its beginnings. Their push
for high standards was also behind the creation of France’s first
AOC, Arbois, in 1936. With their diversity of winegrowers, they produce
the full range of wines permitted under the region’s regulations,
including Vin Jaune, Vin de Paille, and MacVin, and have won awards
for their exceptional sparkling Cremants. Chateau Béthanie is
also one of a handful of producers to make an enjoyable white in the
older Jura style; their Arbois Cuvée is a blend of Chardonnay
and Savagnin that shows wonderful pear, nut, and baking spice aromas
with a full, round mouthfeel wrapped up by firm acidity in the finish.
Henri Maire
Henri Maire’s sparkling wines feature a colorful
harlequin on the label and the fun moniker of “Vin Fou”
(“Crazy Wine”); this playful marketing made them the breakthrough
wines for Jura in the market. With properties totaling almost 1,000
acres, they produce and sell a huge portion of the region’s wines,
so it should be no surprise that their wines run the gamut of styles
and grapes available. The Chardonnay is refreshing and crisp, but the
Savagnin is in the older, oxidative style which lends it a richness
that makes it suitable for pairing with cheeses such as the local Morbier,
Gruyere, or even Reblochon. Director Marie-Christine Tarby-Maire feels
that these two contrasting approaches to winemaking reflect the character
of the respective grapes. Despite the playfulness suggested by the marketing
of their sparkling wines, Henri Maire takes their winemaking seriously.
Their Vin Jaunes and Vin de Paille demonstrate this amply, full of character
and richness that only careful attention over the wines’ long
production process can accomplish.
It’s only appropriate that the Jura embraces
a variety of wines and winemaking techniques; the region is home to
the father of oenology, Louis Pasteur. His discovery of yeast’s
role in converting the grapes’ sugars into alcohol marked the
beginning of modern winemaking. Today, Jura is building on its past,
and remains loyal to its traditions and grapes at a time when too many
producers around the world are discarding local specialties in favor
of international grapes and generic styles.
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